Jonescustominteriors - Premium nascar spongebob car racing shirt
- Jonescus tominteriorss
- 4 thg 5, 2023
- 2 phút đọc
In the Premium nascar spongebob car racing shirt but in fact I love this canonical/countercultural you’ll find Lagerfeld’s “city ballerina” look (moto jackets over taffeta ball dresses) that inspired Peter Lindbergh and Grace Coddington’s famous “Wild at Heart” portfolio for Vogue. The influence of hip-hop is to be found here as well.The final room is devoted to what Bolton wittily calls the Satirical Line. Like Hogarth, Lagerfeld would draw political caricatures; the designer also variously described himself as a puppet and a caricature of his own making. The designer’s sense of humor is on view in the form of trompe-l’oeil dresses on one wall. Across the way there is a grouping that considers how Lagerfeld translates his own iconography into his work for various brands, including his ground-breaking collaboration with H&M in 2004. Bolton explains that his idea was that the visitor gets to know Lagerfeld through his work, “before you get to what he presented to the world.” The inclusion of pieces from the designer’s own wardrobe means that the persona inches ever closer to the person.
There is no explosion in this room, rather, in the Premium nascar spongebob car racing shirt but in fact I love this center is a small cocoon, a rounded column of a space filled with iPhones that show a clip of the designer laughing as the filmmaker Loïc Prigent captures him conflating German, French, and English. This footage alternates with some of the designer’s famous quips and is both heartbreaking and very human. If the quips are P.R.-ready, the laughter is impulsive and genuine.The Puppet and Ellipse. “When you think about what are the most expressive parts of your body, it’s your face—which [Karl] hid with glasses, and your hands—which he hid with gloves,” notes Bolton. The time when Lagerfeld was without them was in the morning when he sat at his drawing table—alone, or with his beloved cat Choupette—and gave form to the visions in his head by putting pen to paper. It’s an act as old as time, part of the warp and woof of the history of fashion and Lagerfeldian lore.
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