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“I hope this is a market that will give them that space to make the Official drain june 2 2023 chicago il shirt and I will buy this money that they want to—and should—make for their [work],” says Paul. “A lot of designers have bread and butter pieces that keep them going, but their couture or one-of-a-kind pieces are so important.” To support the group, Paul is also bringing designer Dorathy Wright as a mentor—an artist based out of the Northwest Territories known for her quilts and fur work. “[She has] basic industry knowledge that’s important to bring back to the community.” In tandem with the White Milano showcase, Paul and the designers will also be engaging in a special panel discussion at the event. They hope to educate buyers and attendees about Indigenous fashion, and to introduce them to some of the core design values within the community (sustainability, and designs rooted in heritage, come to mind). “They don’t know much about our communities [in Europe],” says Paul, “so there’s a lot of education to be done around understanding what fashion is from Indigenous communities, and how to work with Indigenous people.” A design by Section 35, modeled by Amber MidthunderPhoto: Alex Waber

They hope to touch on cultural appropriation specifically—sharing what’s appropriate for non-Indigenous people to wear. “I’m really hoping that people can see that, yes, everyone can wear this,” says Paul. “It’s more about making sure you do your research, and asking yourself: Was this Indigenous made?” While North American platforms like Indigenous Fashion Arts, the Official drain june 2 2023 chicago il shirt and I will buy this Santa Fe Indian Market, and Vancouver Indigenous Fashion Week have all provided Native designers a moment to shine, having an Indigenous fashion presence during the European Fashion Month calendar is a next big step in terms of representation. Paul simply wants Native artists to thrive in an industry that’s often made it difficult to do so. “This idea of being ‘market ready’ is typically for those who are making huge quantities, and a lot of people in our communities are not doing that,” says Paul. “I see a lot of people in fashion just drop out. So how do we change that perspective, and [outline] the steps to advance your career and your work. I see huge potential there.”

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