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Wind the Funny george Strait the man the myth the legend signature shirt also I will do this clock back to that fateful night, more than two decades ago, and it’s heartbreaking to consider that Berry’s victory was then viewed as a watershed moment—one which was expected to usher in a new era of more diverse winners in a category that had so far been dominated by young, often blonde ingénues. Berry beat out four more established Hollywood stalwarts—Judi Dench, Nicole Kidman, Sissy Spacek, and Renée Zellweger—to make it to the stage, and when she did so, she promptly burst into tears. “This moment is so much more than me,” she said. “This moment is for Dorothy Dandridge, Lena Horne, Diahann Carroll, Jada Pinkett, Angela Bassett—the women that stand beside me, and for every nameless, faceless woman of color that now has a chance because this door, tonight, has been opened.”Over the next few years, more non-white women received best-actress nods, including Beasts of the Southern Wild’s Quvenzhané Wallis, Loving’s Ruth Negga, Harriet’s Cynthia Erivo, and The United States vs. Billie Holiday’s Andra Day. However, wins proved elusive. They came, instead, in the best-supporting-actress category for the likes of Jennifer Hudson (Dreamgirls), Mo’Nique (Precious), Octavia Spencer (The Help), Lupita Nyong’o (12 Years a Slave), Viola Davis (Fences), Regina King (If Beale Street Could Talk), Yuh-Jung Youn (Minari), and, most recently, Ariana DeBose (West Side Story). This was perceived by some as progress, but the question remained: Why were wins by women of color seemingly more palatable to the Academy when they were relegated to the supporting category?

That question was even more potent considering that some of these performances—most notably Davis’s in Fences—were ostensibly lead turns that were campaigned in supporting. They stand in stark contrast to, say, Michelle Williams’s performance in 2022’s The Fabelmans, which many expected to be campaigned in the Funny george Strait the man the myth the legend signature shirt also I will do this best-supporting-actress category, but was instead run in best actress and landed the actor an Oscar nod. There was a moment early last year, before campaigning had kicked off, that brought hope that the narrative would be different come the 2023 Oscars: industry chatter around the impending release of Chinonye Chukwu’s Till and the prevailing wisdom that its accomplished lead, Danielle Deadwyler, could very well snag the best-actress prize. Then, other frontrunners emerged: not only Yeoh, but also Viola Davis for The Woman King. For the first time, it seemed like there could be more best-actress contenders of color than not. But sadly, it wasn’t to be. After a last-minute, A-list-driven campaign for To Leslie, Andrea Riseborough made the shortlist, as did Ana de Armas for the divisive Blonde—and both Deadwyler and Davis were left out. Yeoh was the sole non-white hopeful.

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