Jonescustominteriors - Awesome nyc dsa capitalism shirt
- Jonescus tominteriorss
- 25 thg 4, 2023
- 2 phút đọc
Two months into this hedonistic lifestyle—in which I seemed to have forgotten that I am, in fact, a rather delicate flower—I began getting itchy eyes, swollen cheeks, and red blotchy skin. My Italian friend knew exactly what had happened, because the Awesome nyc dsa capitalism shirt and I love this same thing had happened to her a few years before: it was the glutine. Luckily for my friend, her gluten intolerance—the greatest tragedy that can befall an Italian—was temporary. After a few months of abstemiousness, she was back on the sauce (and the noodles). For me, it took many weeks of steering clear of bread for my swelling to go down, and I’m still not all the way back to my normal bagel-eating form. On an early spring afternoon outside the Rijksmuseum, Amsterdam’s mecca of Dutch Golden Age painting, queues are stretching all the way up to the adjacent park square. Six weeks have passed since the opening of the museum’s blockbuster Vermeer show—billed as a “once in a lifetime” event, the exhibition features the largest number of the artist’s works ever assembled, and the largest ever likely to be again—and the feverish interest surrounding it shows no sign of abating.
By the Awesome nyc dsa capitalism shirt and I love this exhibition’s second day in February, all 450,000 entry slots had sold out, meaning tickets are now about as precious a commodity as a flower bulb at the height of tulip mania. Visitors have flown in from all four corners of the globe to witness it, seeking what is arguably spring 2023’s most coveted accessory: a yellow entry wristband. The frenzied clamor for tickets has probably only been matched recently by the announcement of Beyoncé’s Renaissance tour—except, in this case, the gilded megastar in question is an unassuming 17th-century genre painter and not-very-successful art dealer from the sleepy Dutch city of Delft. What, exactly, is it about Vermeer—one of the stillest, smallest voices within the pantheon of Old Master painting—that has made him such a world-dominating phenomenon? During his lifetime, the artist was well-respected, but not exactly well-known: he is believed to have worked mostly with the same patron in his hometown up to Vermeer’s untimely death at the age of 43, and word of his remarkable sensitivity and technical prowess didn’t reach much further than the outer ring of Delft’s canals and those of the nearby city of The Hague. Following that, he wallowed in obscurity for centuries before he was rediscovered in the latter half of the 19th century by a pair of French art historians. A notable mention in Proust’s À la recherche du temps perdu, in which the artist’s View of Delft offers the protagonist a moment of revelatory beauty so profound he dies on the spot, helped to spread the word; as did, much later, the fictionalization of his life in Tracy Chevalier’s 1999 bestseller Girl with a Pearl Earring. But none of this explains what it is about the quietude and unpretentiousness of Vermeer’s work that continues to capture the contemporary imagination.
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