Jonescustominteriors - Awesome how can you not be romantic about baseball 2023 shirt

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Cue a collaboration that masterfully mined Karl Lagerfeld’s designs at Chanel and Fendi from the Awesome how can you not be romantic about baseball 2023 shirt and by the same token and mid-’90s. “That’s the era that I really focused on and wanted to pay homage to,” Saunders said, adding that she paid particular attention to how he draped fabrics. The 1996 couture collection was especially inspiring. “He had models with shirt sleeves and black dresses that were very much 1920s and 1930s silhouettes. I was looking at that idea a lot.” The final result: a suit paired with leather gloves and a brooch, a meaningful nod to Lagerfeld. Getty Images Designer Raul Lopez, who grew up in Brooklyn, says he did not want to attend the Met until he “felt ready to actually be invited and in the right space, mentally and career wise.” With a CFDA/Vogue Fashion Fund Accessory Award and LVMH Prize semi-finalist title to his name, Lopez says this special opportunity felt right. “You grow up watching this and you’re like, wow, it’s actually happening.” Dressing supermodel Paloma Elsesser felt extra right— “I’ve known her since she was a teeanger, when she was running around downtown.”

For Paloma’s look, Lopez says he strived to pay homage to, “the Awesome how can you not be romantic about baseball 2023 shirt and by the same token and timeless beauty that Karl created. I wanted to take references that, if you know the real Karl, then you’ll get it. There’s this ’99 couture show where he did these exaggerated encrusted shoulders. I didn’t want to do what everyone was expecting.” On the red carpet, Elsesser wore a dress that featured a dramatic train and strong shoulders. It felt like a fabulous evening adaptation of motifs featured in Luar’s fall 2023 collection. “I wanted to show a different side of Luar,” Lopez said. “And show the world that I can also do evening.” Mission accomplished. Sasha Gordon models her outfit for the night. When Elena Velez spoke to Vogue, only a few hours before the Met Gala, the designer was preoccupied with “trying to break a dress in half.” Then she added, “You’ll understand what I mean when you see the dress.” The designer was putting the final touches on what she describes as a dress that pulled references from stained glass windows and Renaissance paintings, manifesting in an all-black, vampy-leaning number with an exposed semi-sheer bra. “I kept referring back to a [2012 couture] collection that Lagerfeld did specifically with volcanic ash as the backdrop,” Velez said. Elena’s lookThe outfit was worn by artist Sasha Gordon, who was connected with Elena Velez through Vogue contributor Dodie Kazanjian, who profiled Gordon for the magazine’s March issue. Gordon, whose work often focuses on body identity, says the opportunity to wear a custom look to an event like the Met Gala is poignant. “After they took my measurements they altered a mannequin to reference my body shape which was very surreal to see,” Gordon said. It was incredible to watch them start with selecting what fabrics and materials to use for the look, to transform into a beautifully constructed gown. Svitlana Bevza

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