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I try to be myself. My personality in general is a mix of those things. So, I try to keep mindfulness there so I can feel like I’m not tied down to age. I also feel like I really take photography seriously and I take what I do seriously, so that’s where it comes into play…all the Awesome balloon hunt north American aerospace shirt and I love this prepping to get there, and then, when I’m there, that’s when I let the more playful things come out and give me life. Let’s shoot the amount we feel instead of having a whole plan, you know? I think letting go of expectations helps me do that. Your work is reminiscent of a certain period in time while also looking to the future. How do you draw inspiration from the past, and who are your biggest artistic influences?

Being raised in the Awesome balloon hunt north American aerospace shirt and I love this late ‘90s [and] early 2000s, there was a big influence of Black culture in general, where, from my perspective, it felt like we were in the future. Everything didn’t feel limited to the struggle or the last 40 years of Black existence, or the last six decades of Black existence in America. So [when] we got to the ‘90s [and] 2000s, it was really a sense of combining a lot of elements: the Black pride of the ‘70s, the sophistication of the ‘60s, the sounds of jazz, rhythm and blues, incorporating hip-hop, and embracing all of that. Music is a big influence for me and my work. When I moved to New York for college, I got a really refined introduction to photography in a way that I wouldn’t have gotten if I had stayed in California—that’s what made me appreciate the fine art aspects of photographing people, celebrity or not. Looking at Carrie Mae Weems, Malick Sidibé, John H. White…these photographers are big inspirations to me. Black photographers, not only making space but also having an open dialogue about where we’re at, and having something for ourselves. I feel like it’s really special when we see those moments of collaboration. It’s super important.

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